One of the things that came up in the first meeting with my mentor was to push the depth in my relief sculptures. Since I had already completed the structure for the 3 panel relief, I decided to make a couple of smaller pieces to work out potential structural issues. The original relief sculptures averaged about 1.5 inches deep, the two new ones are between 3-4.5 inches deep.
I learned 5 things in this process:
- I'm more attracted to the undulating form and play of light in this work than its predecessors.
- I'm less enthusiastic about the edge, increasing the depth also makes the form appear more like a box. I need to consider the overall form as an object and not as confine it to a box/square.
- Exaggerating the depth of the form complicates the papier-mache process, making it more difficult to maintain strength and smoothness.
- In keeping with thinking of this work as sculptural objects rather than paintings, I should pay closer attention to how I finish off the back of the work.
- By painting the object the first, I can use glitter and sealer more efficiently.
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